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	<title>Comments on: Jarvis champions relationship-based pay structures</title>
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	<description>Focusing on the future of digital journalism</description>
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		<title>By: Phil</title>
		<link>http://www.ojr.org/jarvis-champions-relationship-based-pay-structures/#comment-3321</link>
		<dc:creator>Phil</dc:creator>
		<pubDate>Wed, 13 Mar 2013 01:11:18 +0000</pubDate>
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		<description><![CDATA[There is no doubt that croudsourcing and other means of bypassing the gatekeepers are very important innovations for people in media from music to journalism, especially for people just starting off and trying to build an audience and prove themselves. But we still have a long way to go before we figure out the business models that will replace the old, 20th century models. When Jarvis offered musician Amanda as an example of where he things media should be going, I immediately thought of another musician: Jack White. White is the founder of his own record label, Third Man Records, but he chose to release his latest album Blunderbuss through Columbia Records and he explains why in an interview with NPR:

“Some of my friends say, &#039;Why didn&#039;t you just put it out on Third Man? You have your own record label, just do it.&#039; And I think the thing is about Third Man is that, yeah, we can put this thing out on iTunes and we can put things out on vinyl. We got those things fine. We can produce tons of them like that, but if you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia. And I really didn&#039;t want to do this album a disservice. I ain&#039;t got nothing to prove about being indie or anything like that.&quot;

There’s a lot to think about here. Through his own entrepreneurial drive White has created his own label, but still he found value in going with an old, established company.  A real journalist would recognize that there is a story in this.]]></description>
		<content:encoded><![CDATA[<p>There is no doubt that croudsourcing and other means of bypassing the gatekeepers are very important innovations for people in media from music to journalism, especially for people just starting off and trying to build an audience and prove themselves. But we still have a long way to go before we figure out the business models that will replace the old, 20th century models. When Jarvis offered musician Amanda as an example of where he things media should be going, I immediately thought of another musician: Jack White. White is the founder of his own record label, Third Man Records, but he chose to release his latest album Blunderbuss through Columbia Records and he explains why in an interview with NPR:</p>
<p>“Some of my friends say, &#8216;Why didn&#8217;t you just put it out on Third Man? You have your own record label, just do it.&#8217; And I think the thing is about Third Man is that, yeah, we can put this thing out on iTunes and we can put things out on vinyl. We got those things fine. We can produce tons of them like that, but if you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia. And I really didn&#8217;t want to do this album a disservice. I ain&#8217;t got nothing to prove about being indie or anything like that.&#8221;</p>
<p>There’s a lot to think about here. Through his own entrepreneurial drive White has created his own label, but still he found value in going with an old, established company.  A real journalist would recognize that there is a story in this.</p>
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