February 10, 2012
From news publisher to convener: Making the shift to build community in Iowa

I'm 22 and working for Public Radio. I love my new job, but I'm afraid I'm going to be forced to leave if I can't turn around stories more quickly. Any suggestions for a newbie?
Pounding out stories quickly has always sort of tough for me. Almost all of my previous stories were written for my college paper or a small community paper, both of which only ran weekly and therefore had week-long deadlines. As a result, making the transition to a large metro station's deadlines hasn't been easy.
Here, I'm assigned a story around 9 and expected to be ready for editing by 1 or 2, and that's only supposed to be my first of 2-3 cut n' copies stories for the day. Regularly writing anything less than that is pretty much unacceptable, and I sometimes find myself only writing 1, maybe 2 stories for the day. I know that I'm 100% capable of doing 3+ stories daily, I just can't seem to consistently do it.
At first I struggled with the new "talky" format of radio, but now that I understand that, I just don't have any excuses. I admit that sometimes when I get edited, I tend to sulk and slow up pace instead of jumping on top of the phone to confirm a fact or run with a new, revised angle... Editing face-to-face is new to me.
Does anyone have any suggestions on how to become a quicker writer? Exercises, states-of-mind... anything at all to help out? I feel like I have some mental hurdle that I just can't get over.
Sorry for such a disjointed post but I'm at work and on deadline! ;)
http://www.apprenticeships.training.wa.gov.au/aships/bldg-const/bricklayer.asp
Why don't you talk things over with your bosses.
After that if it does not work, you are still great. Someday you'll look back and enjoy the time that you had puzzle and confuse.
Good Luck!
Also, you appear to have a chatty, conversational nature. Your original entry here could have been cut down by a third and still expressed your situation/concerns. It would have maded it better, too, since it'd be more succinct. Save your wordiness (even though you're very readable and your message was compelling) for e-mails to friends and family. at work, focus focus focus, produce, produce, produce.
your quality will take a hit intitally, but it will improve as you train yourself to more machine-like in your output.
keap at it. it's a process. and if the folks at chicago public radio don't want to nurture you, move on. there are a lot of places to work in the world.
Think back to your stories for the college and weekly papers. How much time did you actually spend on them? If you cut out all the procrastination (e.g. checking e-mail 100 times, looking at YouTube, checking scores on ESPN.com, talking to friends on your cell, watching TV) that you wasted between the time you started your story and finished it, I'm willing to bet that you spent no more than a few hours on the story per se.
You got to work on fixing the ADD. Use your time wisely and efficiently. Don't sulk or dwell on spilled milk.
Also, learn to multi-task. While you're waiting for a source to call you back for story #1, start working on story #2. Or start getting background info for a story you know you'll be covering in the future. Journalists need to be able to juggle many things at once.
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From Jason Marsteller on August 9, 2007 at 5:23 PM
I had the same problem when I first started writing about 10 years ago. What made it easier for me is when I figured out that different types of stories have different sorts of flows.That gave me the chance to develop "formulas" for different types of stories.
For instance, when I wrote about volleyball at one time, I wrote the standard lead of such and such beat such and such by #-# at location on such and such a date. Simple lead.
Then, my next paragraph would address any career or season milestones. If there wasn't anything pertinent, that paragraph then became overall stat talk. Like so and so had a double-double with 10 blocks and 10 kills.
After that, I broke down each individual game within a match, which could be up to five games.
I could usually write all of this strictly from a box score following a match. That's about 7-9 strong paragraphs.
If you are stuck in a spot where you have to bang out story after story, just figure out a formula that works (and that your editors like), and stick to it.