Skills training is not enough for the digital journalist

As an academic, I’ve been given a front row seat to the unraveling of the news industry without having to worry about my job. But if I were a journalist, the first thing I would be thinking about is what kind of skills I might need in order to retool for the digital age.

However, my 500-foot view from the ivory towers urges caution: it’s not the skills that you get that will save your job, or repurpose you for the future, it’s whether you can learn how to think like a journalist in the Web 2.0, or what some are even calling the Web 3.0 world.

I make this observation after working with newsrooms who have tried to implement broad training initiatives, as well as after interviews with many journalists who have attempted to gain new skills themselves. Here I get to take some license in that the journalists I’ve worked with cannot be named, as they are given anonymity for human subjects research protocol by the university.

But I can say that one of my major discoveries has been that training – learning to take a digital photo, the writing for the Web, the digital audio and video editing, the flash, and the social media, to name a few – is not for everyone, nor should it be the answer for everyone.

I don’t mean to disparage the excellent training that is occurring. Not to toot our own horn, but the Knight Digital Media Center’s Berkeley outfit has become somewhat of a standard bearer in multimedia training for journalists. Poynter’s News U offers courses in online and multimedia training. In November 2008, in addition to its News U offerings, Poynter nobly piloted Standing Up for Journalism workshop to retool and reenergize laid off journalists.

The skills, though, aren’t the answer. As one news executive said, “We need to take staff to Web 2.0 and beyond – to make learning more nimble and flexible.” This executive, after putting staff through training pilots, realized that multimedia literacy and a basic understanding of what it meant to work in a Web environment was what people needed – before they could go about learning the hardware.

What is this multimedia thinking that should be happening in these training sessions? Here are a few suggestions for journalists and their news organizations.

  1. Journalists need to understand how the Web and multimedia goals will work within their own organizations. News organizations need to clearly communicate how these Web goals will influence the work production cycle.
  2. Journalists at all levels of the news organization should believe that they can contribute to the multimedia vision of their organization. The future of the newsroom is also in your hands, and thinking like this forces journalists to think multi-dimensionally.
  3. Journalists are not alone in the newsroom. Even if journalists themselves cannot think about how to make their work relevant to multiplatform content, someone else in the news organization can. Most of your organizations have people on staff that can help you brainstorm, even if you can’t. Multimedia training is also about making new connections across your organization.
  4. Silos, departmental rivalries, and departments that don’t communicate with each other cannot exist if multimedia initiatives are to succeed.
  5. Journalists no longer control the distribution of the content they produce. This is a very scary thought for many journalists, but the reality is that once something is published (usually on Web sites), it belongs to the audience of readers and becomes part of a conversation about the news.
  6. Journalists need to rethink and reposition themselves the leader of this new conversation, which includes everyone from the traditional water cooler chat to bloggers.

Of all of these ways to think about multimedia in news organizations, perhaps the most important point to emphasize is that Web journalism means a journalism of conversation. London School of Economics professor and former broadcast journalist Charlie Beckett has come up with the term “networked journalist” or “networked journalism,” and explains the idea in his new book, Supermedia: Saving Journalism So it Can Save the World.

The idea is to take the best parts of the civic journalism and public journalism movements and sync these up with the possibilities of the Web. Through networked journalism, Beckett urges legacy journalists to think of themselves as participating in somewhat of a pro-am kind of relationship, where mainstream journalists share the process of production with everyday citizens.

Multimedia training doesn’t need to incorporate new skills if journalists can find ways to think about including in their work opportunities for conversation through citizen journalism, crowd-sourcing, interactivity, wikis, blogging, and social network, as Beckett points out, “not as ad-ons, but as an essential part of news production and distribution.”

Journalists don’t have to learn how to take photos, though maybe they should, but they need to think about new ways to connect to an audience that is increasingly connected to them.

The truth is that most skills boot camps don’t turn the majority of the journalists who attend them into professional quality video editors or graphic designers; in fact, many of the projects they turn out in training sessions would not be fit for the Web.

But the value of these training sessions is that they do help journalists learn to see the potential of what these new tools can bring to the work they do – so instead of making multimedia experts, journalists can learn how to think like them. But we ought to reconsider the goals of these training sessions and align them to change thinking to change practice, rather than use them to change practice and hope it will change thinking.

The top gifts for online journalists, 2008 edition

Last year, OJR presented its list of top gifts for online journalists, and today we continue the tradition with this year’s list.

In recognition of the current economy, we’ve kept all the items on this year’s list under $200, so we won’t be talking about the laptops, digital cameras, video equipment and other goodies that many of use want, but that would break a bank account faster than being bought by Sam Zell.

Feel free to e-mail this list to your friends and loved ones (or print it out for the Luddites), if you’re the type of person who never can come up with a list on your own.

1. First up on this year’s list is a carry-over from last year’s: Apple’s iPhone, this year the 3G model ($199 with two-year AT&T contract).

The iPhone comes closer than any other device to date to being the online journalism Holy Grail that many of us have envisioned: A single hand-held unit that surfs the entire Web, including audio and video, that allows you to update websites, to shoot photos and send them to the Web, to record and post audio, that supports e-mail and includes a phone, and that offers a GPS with maps and directions to help you find your way to wherever your reporting takes you.

It’s not perfect yet. The inability to cut and paste text drives many Web publishers nuts. You can’t shoot video, and, most maddeningly, you can’t record phone conversations, even though the unit includes a phone, a large hard drive and (with the right application installed) an audio recorder.

Still, the iPhone’s ease of use and superior Web surfing capabilities have made it almost ubiquitous at online journalism gatherings. The 3G’s faster connectivity and support for corporate e-mail systems clear away a couple of the leading objections to the first-generation iPhone.

2. Every journalists needs a good audio recorder. Last year, we recommended the Belkin TuneTalk, a lovely plug-in for iPods that turned those digital audio players into recording devices. The TuneTalk worked seamlessly with iTunes, making uploading and managing interviews and other audio files easy.

Unfortunately, the TuneTalk doesn’t work with iPhones. Fortunately (nod to Remy Charlip), several developers have written audio recording applications for the iPhone. Our pick is the iTalk Voice Recorder (Free with ads on the application display, $4.99 without).

The iTalk app provides simple, one-touch recording, using the iPhone’s built-in microphone. You can choose from three audio quality levels from the recording screen. To get the files onto your computer, you do need to download a free application from the iTalk website, but the application provides the URL and both Windows and Mac version are available. Once the application is installed, your computer grabs the files from your iPhone automatically, provided both are on the same WiFi network.

We also looked at Voxie Pro Recorder ($1.99). We found it harder to use at first, requiring more taps to record, and with an initial quality setting that was far too low. Yet, by making some adjustments in the application’s settings page, we got it working just as well as the iTalk. The Voxie recorder does not require a desktop application to download; it provides a URL where you can retrieve your files from the Web. It also allows you to e-mail audio files to yourself or to others.

That’s a great feature, and well worth the two bucks, if you’re willing to mess around in the settings to get the Voxie recorder working right.

Hook your favorite online journalist up with an iTunes gift card to buy either of these recording applications. Throw in a Starbucks gift card, too, so he or she can get wired on a cup of Joe while enjoying the free WiFi that the coffee chain offers to iPhone users. If you are feeling especially sadistic toward your reporter friends, you can even make a crack about the gift card tying them over until their Starbucks’ employee discount kicks in.

Beware of karma when making such jokes, however. Ask not for whom the Zell tolls. It might toll for thee.

3. Now, let’s talk video. For decent-quality video at low price, in a small unit that’s simple to use, you can’t beat the Flip Ultra ($150).

Here’s OJR contributor and online journalism pioneer Robin “Roblimo” Miller on his Flip Ultra: “I got a Flip a while ago because I’m doing training and tech support for a citjourn venture that’s handing the things out like mad. And I like it. Fits in shirt pocket, decent in low light, passable sound (for a built-in mic), no tapes to hassle with… really a perfect unit for the point & shoot crowd, plenty good enough for Web-published work.”

If you really need video in 16×9, instead of the traditional 4×3 proportion, Flip’s got an HD model out now, the Flip MinoHD. It retails for $230, over our self-imposed $200 limit, so we’ll leave it off the list unless you can find it on sale somewhere.

4. A “backpack journalist” needs… a backpack! And the uber-cool geek daypack for 2009 is the Voltaic Converter ($199). Made from recycled plastic bottles, and featuring a trio of solar panels, the Voltaic will hold your stuff (including a laptop) and keep your iPhone charged, even when on the road and well away from that sweet electrical juice.

So when the economy collapses and the electrical grid fails, hey, your iPhone’s not going to die! (Even if it has no network to connect to anymore….)

If you are headed to the backcountry for a few days, or looking for a carry-on pack for a short reporting trip, Voltaic offers a larger backpack for $249. No additional power from the larger pack, though.

5. Even the geekiest online journalist reads offline now and then. So we’ll wrap up with a couple of options for smart reading when off the grid (due to flights, incarceration or the aforementioned global economic collapse.)

We reviewed Markos Moulitsas’ Taking on the System ($24 retail), earlier this fall [link], and we will recommend it again here. Kos’ latest book not only provides useful background on the “netroots” dynamic that helped propel Barack Obama to the White House, it provides a useful primer to anyone wanting to challenge established media businesses and narratives. That makes it perfect for the emerging journalist entrepreneur.

Throw a copy into your Voltaic back, and pull it out whenever you’re feeling insubordinate.

6. No journalist ought to be without a subscription to The New Yorker (one year/$40). We’re not betraying our online cred to give credit to TNY for its outstanding reporting on Iraq, the Bush administration and the economy over the past several years. The magazine’s news writing and fiction should inspire any writer, as well.

Sure, the magazine’s beefed up its website recently (about time!), but the dead-tree edition is well worth the investment. If you’re going to keep a subscription to any one dead-tree publication, make it this one.

So… what else is on your wish list for the holiday season? (Please, no abstract suggestions such as “world peace,” “good health” and “a job.”) Feel free to post a few words about the tools and toys you’d like to have, in the comments below.

Brian Lamb: C-SPAN not immune to the digital threat

C-SPAN would seem to have as secure a future as any news operation could have. Thirty years after Brian Lamb began shopping around his off-the-wall idea for a public affairs network funded by the cable industry, it’s hard to imagine a media landscape without C-SPAN’s rich offerings on TV, radio and the Web.

But Lamb says C-SPAN will be buffeted by the digital revolution just like everyone else. Despite successful work in recent months on a new long-term plan that helps ensure the network’s future, Lamb told an audience at the University of Southern California that C-SPAN’s core business could be affected.

“I see the handwriting on the wall at our network,” Lamb said. “You gotta’ be a little more agile … a little more nimble, to survive.”

Lamb delivered the James L. Loper Lecture in Public Service Broadcasting on Thursday at USC’s Annenberg School for Communication, at a lunch sponsored by the school’s

Beneath the about-to-open congressional visitors center, he said, are TV control rooms – 13 on the Senate side alone – that will direct video of hearings across Capitol Hill. Describing these facilities as having been built “under the darkness of night,” Lamb said his suspicion is that this congressionally directed video will be sent directly to the Web. “You can tell what that means for us,” he said.

Lamb also noted that the refurbished American History Museum now has Webcasting capabilities that will allow the museum to stream events there to its own site.

Each of these examples would mark an end run around C-SPAN’s bread-and-butter, Lamb said. “I could envision a time when they’ll stop calling us… It’s a changing world and we better wake up and smell the coffee.”

At the outset of his remarks, Lamb said that while 30 years ago he had a sense of where the industry was headed, it’s different now. “I have no idea where this is going,” he said.

But Lamb also talked about ways new technologies will create opportunities in the future. He noted the multimedia work done by the Anchorage Daily News in the recent trial of Sen. Ted Stevens – a trial Lamb often attended. And how a single blogger, Alaska lawyer Cliff Groh, offered an entirely different take on the trial proceedings.

“I think we’re going to be a lot better off than a lot of people in journalism rare thinking right now,” he said.

Lamb offered a hint about where he thinks journalism today may be missing the boat. He observed that the questions asked by members of Congress during hearings are often better than those asked by journalists – and that the members “really rip, like journalists never do.”

Similarly, he said, because it is unregulated, C-SPAN never censors callers. “We let it rip.”